2 April
My copy
of AP arrived this morning and I began reading it straight away. The editorial
by Richard Sibley is about drone use in photography. He compares the heavy
regulations for car use and the few regulations that currently apply to drone
use. I could see a problem with this straight away; no matter how much
regulation is applied to drone use, there will always be those who will ignore
them and go ahead anyway. The major difference is in the cost when it comes
down to buying a drone against a car I suppose, but forcing pilots to take
taring and gain a licence just won’t work, simply because someone will need to
police it. Who would that I wonder? Nope, sorry Richard, it just won’t work.
This
editorial is a lead in to one of the major articles in the mag, that of the
superb images that Anders Andersson gets from his drone. Yes, I agree, there
are some excellent images to be gained from using one, as Andersson shows, but
that has to be a pretty strong drone to lift a Sony A7 and lens high enough to
get the images in this article. The stronger and larger drones of course cost a
heck of lot more. A quick look at drone prices on-line and they seem very cheap
to me, just the sort to attract the type of person who will not bother with
flying regs. Just to be clear, I’m not interested in getting a drone.
Last
night I finished reading Simon Whaley’s e-book on how to use the Wunderlist organiser
thingy-ma-gig. Simon is a full time writer and he needs to spend a lot of time
writer and reaching his subjects. I can see the use of such a product for a man
like Simon who needs help in keeping track of his productivity. For me, I could
see me spending ages playing with it and getting nothing else done at all. Over
all the book itself is well written in an easy reading format and style that
should appeal to everyone interested the software. But no, the software is not
for me.
Having come
to the end of the book, I found the very last word is ‘DING’, which is the
sound the software makes when you have finally finished a project. A finished product? I thought, oh yes,
but at what point does any writer actually finish a project I wonder? An
article is written, accepted and published, that may be finished, for now at
least. But what if the contract allows you sell the piece to other outlets? All
it would need perhaps is a few tweaks and off it goes to another publisher, and
so on. So is there ever a fully finished project? For instance …
Stephen
King’s The Stand when it was first published
was 100,000 words shorter than he had written. At the time that was due to
pricing and technical problems such a large printing involved. The version I
read years later had those 100K words put back in. I don’t know where all those
words were taken from, but the whole thing certainly made sense to me as I read
it. Some popular writers also feel the need to add a foreword to later
re-prints to explain that they have made changes to the original because of
comments and suggestions made to them. That to make shows some humility in
their attitudes to their work in accepting that there might be a better, or
different way of saying something.
So when
can any of really say we have all heard that final ‘DING’? That depends
entirely on the writer and his attitude I suppose. At the moment, I’m not going
to worry about it.
Today’s
photo then …
A snapper snapped.
Today’s
funny …
My
brother read a book about Davy Crockett.
He said, 'Did you know Davy Crockett had three ears?'
I said, 'No, I didn't.'
He said, 'Well he did you know. He had a right ear, a left ear and a wild frontear.'
He said, 'Did you know Davy Crockett had three ears?'
I said, 'No, I didn't.'
He said, 'Well he did you know. He had a right ear, a left ear and a wild frontear.'
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